Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Benefits of these over optical viewfinders include: they show more of the image; they can be more compact; it's easier to focus with digital zoom; and they sometimes offer extra info on the display (such as a live histogram). For me the Canon C500 Mark II strikes a great balance here. https://versus.com/en/canon-eos-c300-mark-ii-vs-canon-eos-c700 The EOS C500 Mark II almost looks like the love child of an EOS C200 and an EOS C700 FF. What you get: I believe these are the features that contribute to food on the table. On the other hand, the full frame sensor of the Canon C500 Mark II does offer two tremendous advantages due to the larger sensor: For a lot of professionals, in this price point, usability is as critical as image quality. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. Wi-Fi 4 (802.11n) is a wireless standard released in 2009. V-mount plate with P-tap output (only V2), Lens control for certain supported lenses (only V2), About $5,000-$7,500 savings in investment, Lighter setup because you don’t need full frame lenses, Putting together a camera package in a modular system. It’s more than that. Here’s the question: Which camera would have the better autofocus? For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. However, the megapixel count is not the only important element determining the quality of an image. Image stabilization for smaller sensors will be better than larger sensors. This means you don’t have to go down to 2K or HD just to get high frame rates, and you can take advantage of all the possibilities of 4K. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. It has faster transfer rates and improved security compared to its predecessors – a, b, and g. A remote control allows you to control the device remotely. The battery can be recharged and used over again. With a standard mini jack socket, you can use the device with most headphones. Original batteries only, from B&H. You can use anamorphic lenses that take advantage of the true anamorphic frame. This allows to manually set the exposure. The battery is removable and can be replaced by the user if broken. Now let’s get into the camera video specifications: ^C-Log 2 has the highest dynamic range. Deciding between these 2 cameras was pretty easy for me. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. With manual white balance you can choose the most accurate setting and avoid the green, blue or red hue which can occur in auto mode. Those extra benefits that didn’t contribute directly to income in the low budget space take on importance here. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. They can be very compact and cost relatively little to produce. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. It’s the camera that excites me the most for the kind of work I do. With C-Log 3 you get 14 stops (still great!). Similar to the EOS C700 FF model, the EOS C500 Mark II features a full frame 38.1 x 20.1mm sensor with a 17:9 aspect ratio. CMOS image sensors are slowly replacing CCD sensors, due to reduced power consumption and better image quality. on Canon C300 Mark III vs Canon C500 Mark II: When to pick which? Availability: Shipping Early 2021. The recent announcement was made last week. The C500 Mark II clears this easily, and outputs 6K, so even ‘chopped off’ anamorphic will deliver true 4K. B4 mou… From easy craft ideas to origami-style 3D models – bring the paper fun into … The data rates are manageable for both cameras, all things considering. I don´t need or want 6K, more DR, more managable file sizes in raw, 120p, same body, autofocus at all frame rates and brilliant 10-bit 4:2:2 codec options. Canon is the class leader here, and with Canon’s range of cinema lenses there’s nothing left to say. La Canon C500 mark II es capaz de entregar video de hasta 5.9K RAW internamente, mientras que la Sony FX9 solo graba hasta 4K internamente y 6K externamente. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The C500 Mark II clears this easily, and outputs 6K, so even ‘chopped off’ anamorphic will deliver true 4K. According to Canon: For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. At the heart of the EOS C500 Mark II is the same sensor found inside Canon’s EOS C700 camera, a5.9K full-frame 17:9 sensor, which Canon says offers more than 15 stops of dynamic range. Nowadays, it is used to create film-like motion characteristics. AVCHD (Advanced Video Coding High Definition) is a file-based format for the digital recording and playback of high-definition video. These are the prices of those models for June 2020: C100 Mark II: $2,699 on B&H; C300 Mark II: $7,500 on B&H; C200: $5,500 on B&H; C700 FF: $33,000 on B&H; C500 Mark II: $16,000 on B&H; C300 Mark III: $11,000 on B&H; Canon Cinema EOS and Netflix. Canon EOS C700 Here’s the approximate increase in price over the C300 Mark III: *Taking Angenieux EZ-1 and EZ-2 as examples. The C500 Mark II is definitely the more expensive all around, very generally speaking. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. The remote control can be included or optional. It depends on the lenses you are going to use it with. So it’s not just a $5,000 difference. An indicator shows you when the device has low battery. EOS C700 FF; EOS C200; EOS C500 Mark II; Above you can see how it looks compared to a C200 and a C700 FF. A complete visual representation + video of the filmmaking process from beginning to end. If yes, then the Canon C300 Mark III is the right investment for you. The number of megapixels determines the resolution of the images captured with the main camera. Canon EOS C100 Mark II vs Canon EOS C700. If you use dual pixel AF, LUTs, etc., the consumption will be higher. The C500 Mark II features a Full-Frame CMOS sensor with an effective 18.69MP resolution and 15 stops of DR (claimed by Canon). If you’re using cine lenses or heavier zoom lenses then definitely yes. The good news (or bad news, depending on how you look at it) is both cameras have the exact same ergonomics in terms of buttons and dials: Those who are purchasing either camera are probably mainly into documentaries, corporate videos, commercials, high-end weddings and maybe the occasional short or feature work. We have been told that the next cinema camera from Canon will be the Cinema EOS C300 Mark III. There is a slight advantage to the C300 Mark III, though in real-world use, I’d say that advantage is not big enough to get concerned about. If you were a independent filmaker wanting to make films for festivals iTunes Netflix and occasional big screen as well as corporate videos and commercials which would you pick between these two ? These cookies do not store any personal information. You also have the option to opt-out of these cookies. Media card costs are an important percentage of ownership: If you compare apples to apples (4K to 4K), the data rates are similar. The new Canon-developed full frame sensor used in the C500 II and C700 FF has a native resolution of 5952 x 3140 pixels, providing a 17:9 cinema-friendly aspect ratio, and has an imaging area of 38.1x20.1mm in size, making this both a bit wider and a bit shorter than a standard full frame sensor. It supports full frame readout as well as Super 35mm and Super 16mm modes that can be used with conventional Super 35mm lenses and full frame compatible lenses. It is achieved by recording a video at a higher frame-rate than the standard playback rate of 24fps or 30fps. For just Genlock, you can purchase the cheaper Canon EU-V1: It is clear if you need the cameras for any sort of regular broadcast work you will have to purchase the EU-V2 expansion unit. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. Both cameras have Dual Pixel AF with support for Touch AF and Face Detection AF. Slow-motion is an artistic video effect that makes time seem to go slower. With the Canon EOS C500 Mark II and the Canon EOS C700 FF, you're able to have a full-frame A-cam and B-cam producing material that can be very easily matched in post. Canon EOS C300 Mark III To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high … The standard EF mount is non-locking. Lighting an impossible street crowd scene with just two small LED lights. It is mandatory to procure user consent prior to running these cookies on your website. The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. We consider a smaller height better because it assures easy maneuverability. No more out of focus shots. Should you opt for a locking mount? This category only includes cookies that ensures basic functionalities and security features of the website. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Canon EOS C500 Mark II. Then pick the Canon C500 Mark II. The best online film school for serious filmmakers. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The maximum resolution available for videos shot with the main camera. Thanks for the article. A microphone port allows connecting external high-end or specialized microphones. Best Cine Lenses for the Canon C300 Mark III, Best Cine Prime Lenses for the Canon C500 Mark II, You can still use Super35mm lenses in cropped more for 4K. This needs to be tested with the same lenses under similar situations. Canon’s new-ish full-frame sensor (also offered on the C700 FF) gives filmmakers a more detailed image, with an even shallower depth of field. image.canon image.canon image.canon. No 6K. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. Thinness is a feature highlighted by many manufacturers of mobile devices, but it is essential for a wide range of products. If I had to pick just one winner for myself, I’d pick the Canon C300 Mark III. EF locking (CM-V1) 2. But, if all you are shooting is 4K, the C300 Mark II does it in spades, especially with this next bit. Canon sells the following two adapters, both with shim kits: 1. Here’s a summary of each round, and the “winner”: It should be blatantly obvious by now which camera is suited for what. The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic. EOS C500 Mark II 5.9K Full Frame sensor; 4K at 50p/60p with 4:2:2 sampling; Cinema RAW Light and XF-AVC Intra Frame records to CFExpress Type B Cards This website uses cookies to improve your experience. It also does anamorphic internally. If you’re interested in learning about lenses and how that would impact your purchase, check out these two articles: In terms of lenses, generally speaking, full frame lenses cost more than Super35mm lenses. Appearance-wise, the EOS C500 Mark II isn’t a radical departure away from what Canon … The data rates are great, but you get that extra 6K RAW for higher-end productions. Seamless transfer of images and movies from your Canon camera to your devices and web services. Does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Rigging the Canon C500 Mark II Prices. When recording movies they stay focussed and sharp. You can also change the setting for artistic effect. Clients do pay extra for color grading or DI, and there are decent enough budgets for: You will be working with enough margins to recoup the additional cost in just a matter of months. If you really wanted that option you are better off with the C500 Mark II. Necessary cookies are absolutely essential for the website to function properly. Read on. Han pasado más de 7 años desde la presentación de la Canon C500 original, que solía ser la cámara de cine insignia de Canon antes de que se presentara la C700 en … Canon C500 mark II. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. In other words, does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? Canon introduced a fascinating camera, although it’s probably going to cannibalize the C700. These cookies will be stored in your browser only with your consent. The Canon C500 Mark IIis definitely more expensive on paper. Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. I mainly do events, weddings, corparate. 24p is a video format (24 frames per second) traditionally used in cinema. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. Canon C500 Mark II. Many shooters will be confused as to which offers the better value proposition. Creative Park Creative Park Creative Park. The Canon C500 Mark II is obviously more expensive. The 38.1 x 20.1 mm sensor offers an impressive fifteen stops of dynamic range. It’s a no-brainer, really. This applies to both cameras. The width represents the horizontal dimension of the product. A higher megapixel count means that the camera is capable of capturing more details. You only output 4K 60 fps via 12G-SDI. You can always buy cheaper batteries, but the same applies to both cameras. 2x better video recording quality (main camera), Has continuous autofocus when recording movies, has continuous autofocus when recording movies. So overall im very excited to go from my 3xSony A7III to this beast. What this means for the average shooter is that the image quality differences between the two might not be significant enough. This is where the Canon C300 Mark III really makes a practical difference. What is dual pixel AF? However, if you go to 6K (which is a very important reason to pick the C500 Mark II in the first place), you’ll double data rates. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. An electronic viewfinder (or EVF) is a small display which shows the framed image. The Canon C300 Mark III cannot do true anamorphic due to the smaller sensor height. One important thing to note is you get a free 512 GB CFexpress card and reader with the C500 Mark II. Don’t forget to take that into account. So for the purposes of this article I’ll assume they are equally good enough for all practical purposes. On the other hand, if you’re comparing apples to apples, with equivalent Super35mm frames, you can get similar IS with the C500 Mark II. ^Canon RAW is actually Canon RAW Lite, written internally, at about 1/3 to 1/5th data rates. Thankfully both these cameras have changed that. We'll assume you're ok with this, but you can opt-out if you wish. In proportion you might be spending 50-60% over what you would be spending with the C300 Mark III. Both cameras have important 12G-SDI ports and the obligatory HDMI A port. This page is currently only available in English. It's a standard popular among professional cameras and camcorders. Also, if you have multiple accessories it’s a good way to power them as well. However, it remains to be seen if this holds over the entire spectrum of ISOs or if the C500 Mark II holds up better. Canon C500 Mark II. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. I´ve tried the C200 with Sigma 18-35 f1.8 and the 50-100 f1.8 a few times and I loved the image I got out of this combo, but the c200 raw is a bit too noisy for my liking, so the c300 mark III fixes that with DGO and adds the electronic image stabilization on top of that. With AF tracking, once you choose the subject and press the shutter release part way down, as the subject moves, the autofocus will follow it. The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. Super 35 beast with a lot of new tech and capabilities resolution available for videos shot the... On your website quality of an EOS C200 and an EOS C700 FF achieved by recording a video at higher. 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